26 February 2013

The Script



HARROW COLLEGE
SCRIPT DEVELOPMENT Script/Storyboard/Image /Production design
Advanced Portfolio in Media

 

snorton-taylor
 

 
 


 



 

Costume

 

 

 

 

 

 

 

 

 

Hair & Make-up

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Other

 

 

 

 

 

 

 

All Black clothes; black vest top, black trouser and a gold scarf to represent simplicity but elegance at the same time. The all blackness of it all creates an illusion that she isn’t or might not really be there. The grey hoody that she wears during the video outside is used to represent the mood that is about to dawn upon the actors in the video. It also for that particular scene allows her to blend into the crowd and not really be noticed.

 

 

The make-up used is a lot of gold tones and subtle colours to make her look natural but ‘goddess like’ at the same time. if extravagant make-up was used it would take away the focus from the actors and place it all on the artist. In any other music video that would be the point but in this music video the focus is supposed to stay mainly on the narrative occurring. The hair was style appropriately to the original style of the artist’s hair. The blonde colouring in the hair reflects the tones used in the make-up. Colours like those used are dominant enough to be shown on camera and to create an image which is the opposite of those actors in the video. This adds to the idea of her not being real in the video and helps to make her stand out against the actors in terms of looks.

 

 

The accessory of the gold heart necklace in the video is used as a symbolism of love which to each character in the narrative seems to be inexplicitly forgotten. The colour gold again compliments the artists tone of gold’s and browns previously used on hair and make- up.
 
 
 
 
 
 
 
 
CHARACTERISATION ie within narrative
 
Name: Kelly Morris – main character of the victim
 

 

Age

 

 

Ethnicity

 

 

Social class / Status

 

 

Gender / Sexuality

 

 

Ability / Disability

 

 

Regional identity

 

 

Marital / family status

 

 

Physical looks / build (inc any mannerisms)

 

 

Personality (eg shy / nervous / confident egocentric)?

 

 

Costume, Hair & Makeup

 

 

 

Representation issues (in relation to above) inc relationship to archetype / stereotype.

 

 

 

 

 

 

 

 

 

 

21

 

 

Quarter caste

 

 

Working Class

 

 

 

Female – heterosexual

 

 

Healthy and able

 

 

None

 

 

Single

 

 

Tall, short dark brown hair, slim build, brown eyes

 

 

 

Reclusive, one friend, fairly happy, keeps herself to herself, occasionally sociable, focused

 

 

 

Dark brown hair in a graduating bob cut, casual clothing with a sense of style, foundation and mascara

 

 

 

The way women are represented; weak, vulnerable, open to manipulation. The fact she gets attacks while walking home alone and then welcomes the guy who attacks her to feed the habit he got her hooked on, complies with these stereotypes of women. The actions she commits in the video are not ones that women typically undergo in our genre of music video. No dancing, singing or relations with male acts takes place among this character.
PRODUCTION DESIGN
 
Location: Harrow on the Hill area
 

Set design

 

 

 

 

 

 

Props

 

 

 

 

 

 

Special fx

 

 

 

 

 

 

Lighting

 

 

 

 

 

 

Use of colour

 

 

 

 

 

 

Other points of note

 

 

 

 

 

 

 

 

 

 

 

A longish road opposite a hill, a main road and a station

 

 

 

 

 

 

No props needed other than ones naturally in the scene, i.e.  cars etc., except the brief use of missing posters for later in the narrative

 

 

 

 

 

N/A

 

 

 

 

 

 

Natural light used

 

 

 

 

 

 

N/A

 

 

 

 

 

 

On this location, Kelly, Tamara and the artist Leanne but on separate occasions
 
 
CHARACTERISATION ie within narrative
 
Name: Tamara Danquah – Victim number 2 and witness to the attack
 

 

Age

 

 

Ethnicity

 

 

Social class / Status

 

 

Gender / Sexuality

 

 

Ability / Disability

 

 

Regional identity

 

 

Marital / family status

 

 

Physical looks / build (inc any mannerisms)

 

 

Personality (eg shy / nervous / confident egocentric)?

 

 

Costume, Hair & Makeup

 

 

 

Representation issues (in relation to above) inc relationship to archetype / stereotype.

 

 

 

 

 

 

 

 

 

 

17

 

 

Black African

 

 

 

Middle

 

 

Female – heterosexual

 

 

Healthy and able

 

 

None

 

 

Single

 

 

Short, black hair, small build, brown eyes, dark skinned

 

 

 

Shy, artistic, focused, sensitive, innocent

 

 

 

 

College student attire, hair in a bun with a flower, no make- up used

 

 

 

 

 

The way women are represented; weak, vulnerable, and open to manipulation. The fact that she witnesses the attack and keeps it to herself supports these suppositions of women. The representations of young black girls doesn’t fit with the personality of the character that Tamara portrays as they are seen to be loud and aggressive.
 
CHARACTERISATION i.e. within narrative
 
Name: Saskia Calliste – Kelly’s Best Friend
 

 

Age

 

 

Ethnicity

 

 

Social class / Status

 

 

Gender / Sexuality

 

 

Ability / Disability

 

 

Regional identity

 

 

Marital / family status

 

 

Physical looks / build (inc any mannerisms)

 

 

Personality (eg shy / nervous / confident egocentric)?

 

 

Costume, Hair & Makeup

 

 

 

Representation issues (in relation to above) inc relationship to archetype / stereotype.

 

 

 

 

 

 

 

 

 

 

21

 

 

Black Caribbean

 

 

 

Working

 

 

Female – heterosexual

 

 

Healthy and able

 

 

None

 

 

Single

 

 

Curly black and red extensions, brown eyes, average height, bigger built, dark skinned

 

 

 

Loud, extrovert, caring, short-tempered and emotional

 

 

 

 

Casual attire with style, curly red and black extensions, foundation, mascara and eyeliner

 

 

 

 

 

The way women are represented; weak, vulnerable, and open to manipulation. The representations of young black girls being aggressive and out there fits her character as when she realises that someone has been hiding information about her friends whereabouts she lashes out. She doesn’t not fit into the normal stereotypes of women being weak and open to manipulation but vulnerable and overly emotional, 
PRODUCTION DESIGN
 
Location: Kelly and Tamara’s House
 

Set design

 

 

 

 

 

 

Props

 

 

 

 

 

 

Special fx

 

 

 

 

 

 

Lighting

 

 

 

 

 

 

Use of colour

 

 

 

 

 

 

Other points of note

 

 

 

 

 

 

 

 

 

 

 

A medium size room

A bathroom

 

 

 

 

 

A bed and other typical items that you find in a bedroom e.g. wardrobe etc.

 

 

 

 

 

N/A

 

 

 

 

 

 

 

A red head

 

 

 

 

 

 

N/A

 

 

 

 

 

 

The two houses are separate but the style of rooms are the same. We use the same equipment lights etc.in both houses.

 

In this scene, Kelly, Tamara and mystery attacker on separate occasions
PRODUCTION DESIGN
 
Location: Windmere Pub
 

Set design

 

 

 

 

 

 

Props

 

 

 

 

 

 

Special fx

 

 

 

 

 

 

Lighting

 

 

 

 

 

 

Use of colour

 

 

 

 

 

 

Other points of note

 

 

 

 

 

 

 

 

 

 

 

A pub garden

 

 

 

 

 

 

No props needed other than ones naturally in the scene, i.e. benches; although cigarettes and bottles containing alcohol are used

 

 

 

 

 

N/A

 

 

 

 

 

 

Natural light used

 

 

 

 

 

 

N/A

 

 

 

 

 

 

In this scene, Saskia and Kelly; then later an anonymous friend for seconds only
 


 
ASTRONAUT


Â
 
PICTURE
 
SOUND
1.33
Sc1) Harrow park/Harrow Road
 
a)       Long length shot focus of sky/sunlight back to our artist ‘Lady Alexander’ sitting on the bench looking up to the sky. Changes from sky to the girl four times. Then when the beat changes to upbeat we see close up shot of our character and she walks down the street on mobile.
b)       Bumps into friend in the street and walks in the same direction, back to shot of her walking down street on mobile to her sitting on the bench with her friend smoking cigarettes and drinking alcohol. Then goes on to show her crossing the road and other character following.
c)       Then shows composition of place where she was raped, girl witnessing it and image of girl on floor covering face.
d)       When singing the chorus, ‘Lady Alexander’ sings directly at the camera mid shot.
 
 
Sound fx
 
 
‘she was on her way home and he was lying await’
 
 
 
 
 
 
 
‘the decision so innocent as innocent as she...an innocence interrupted by an incident’
 
 
 
 
 
 
 
‘an unprovoked the most venomous attack, he took from her that which she can never get back. And left her with that that she can’t get rid of’
 
‘She builds a rocket out of stars in her spoon...’
1.34
Sc2) Tamara’s bathroom, bedroom and hallway/ green screen room
 
a) Intercut sped motion shot of different character in the video (Tamara) getting sick in toilet, then skip to another shot of her on bed wiping eyes/crying.
 
b) Next, is a mid shot of main character (Kelly, moving camera down to show bottom half then slowly moving camera to the face and man grabbing her arm tightly. This then switches to a long shot of other character in the video, who plays Kellys friend (Saskia) walking down the street and then close up as we see her pin the missing picture of Kelly to the tree.
 
c) Next combinations of shots show her on bed waiting. Sped up version showing selection of shots.
 
Then goes on to a medium close up shot of Lady Alexander sitting on the bench, moving camera round her whilst she is still. Then goes on to close up shot of her singing the chorus. Finally middle shot of main character (Kelly) sitting in bath tub with shower on.
 
 
Music
(next verse begins)
‘A habit she never wanted, a pain she needed numbing.’
 
 
 
 
‘An evening she can’t forget, memories she can’t stomach not for nothing but a needle in her vein. Friends she ignored till the phone stopped ringing till the door stopped knocking. Her door she only opens to let him in, but she has no money so she lets him  come, you can take that wither way’
 
 
 
 
 
 
A window she rarely opens so she can see the day,
Her stove she only uses to heat her spoon,
For her the only way she can reach the moon.




She builds a rocket out of stars in her spoon,
Straps up, the only way to make it to the moon,
Dear god, I hope you haven't forgot
This young brave astronaut


 
 
 
 
 
 
2.32
Sc3) Harrow road/green screen room
a)       Combination of shots including Tamara running down street long shot slowed down in black and white, then mid /over the shoulder shot of Saskia shouting at Tamara. Cut to the shot of Tamara running back down the street in black and white. Coming close towards the camera.
b)       Cuts to medium close shot of main character staring directly at camera
c)       Extreme close up showing Lady Alexander eyes then cuts to a repeated shot of  Kelly on floor pushing towards the camera, cut to other shots of the characters In the video, long shot walking down the road to close up shot of the missing poster that is pinned to tree.
 
d)       Medium close of chorus sung by Lady Alexander staring at camera in green room
 
 
‘Looking up, looking up, looking up for the young brave astronaut
Give it up, give it up, give it up for the young brave astronaut
I know that you're busy but any time you got,
God please make a visit’



 
To the young, to the young, to the young,
To the young brave astronaut

She opens the window for a glimpse out
And heats a spoon over the stove
Feels a familiar sting and then slips out
With a window that isn't quite closed
With the window open and the stove still lit,
Along with the rain came a gust of wind,
Which blew the fire out,
Gas still running and her still breathing the gas in
.
She builds a rocket out of stars in her spoon,
Straps up, the only way to make it to the moon,

Dear god, I hope you haven't forgot
This young brave astronaut